![]() ![]() $1/1.5 million) Portrait de Louise-Laure Baudot (est. Three significant paintings from Jean-Baptiste- Camille Corot include an 1834 view of Santa Maria della Salute from the Campo della Carita entitled Venise - Vue du Campo della Carita en regardant le Dome de la Salute (est. $1/1.5 million) and The Huntsman and His Hounds (est. $300/ 500,000).Ī group of sporting pictures by Sir Alfred Munnings is led by Marjory (est. ![]() $500/ 700,000), marking the first time this painting has been exhibited publically in over a century, and Ludwig Deutschs The Treasure Chest (est. Relatively overlooked in the lexicon of 19th century French painters, Alleaume is currently the subject of a monographic exhibition at the Musée du Vieux-Château in Laval, France.įrom the Orientalist oeuvre are Frederick Arthur Bridgman's Dans une ville de campagne Alger (est. $300/ 500,000) colorfully depicts two ladies lounging in a field of flowers. Ludovic Alleaumes monumental and impressive 1896 Salon entry À la campagne (est. The French artist William Bouguereau was renowned for his painting of nudes and took much of his inspiration from Classical and mythological subjects such as in Biblis (est. Offering a comprehensive view of the 19th century, the sale includes a range of works showcasing common thematic narratives of the time. One of twelve known versions, each work slightly differs in its composition, many of which are in public collections such as the Neue Pinakothek in Munich, the Nationalgalerie in Berlin, the Galleria di arte Moderna in Palermo, the Frye Museum in Seattle, and the artists studio at the Villa Stuck in Munich. First conceived in 1889, Stucks striking interpretation presents Eve emerging naked out of a darkness, the body of the massive snake coiled around her, and a light or flame in the upper right. ![]() The exhibition is open to the public as of 31 October 2014 at Sothebys New York headquarters.įranz von Stuck's Die Sünde promptly drew large crowds when first exhibited at the premiere exhibition of the Munich Secession in 1893 and maintains its popularity today as an icon of the Symbolist art movement. Additional highlights include Orientalist subjects by Ludwig Deutsch and Frederick Arthur Bridgman, an extraordinary work by Ludovic Alleaume and major paintings by Jean- Baptiste-Camille Corot, Gustave Courbet, William Bouguereau and Sir Alfred Munnings. The cover lot is Franz von Stucks famed depiction of the temptation of Eve, Die Sünde (est. Sothebys sale of 19th Century European Art on 6 November 2014 will feature a significant selection of works by leading masters of the 19th century. It fills a gap and sheds fresh light on fin-de-siècle Vienna and its productive links with Munich’s “painter prince” Franz von Stuck.NEW YORK, NY. ![]() The exhibition presents an opportunity to consider Franz von Stuck’s work in graphic art, painting, sculpture, and photography, both interrelated and as a whole, and to examine his wide impact on Viennese art. Stuck was a shooting star in his day and became well known in Vienna through his work on the portfolios Allegories and Emblems (from 1882) and Cards & Vignettes (1886), commissioned by the publisher Gerlach. This is surprising as Stuck’s first major monographic exhibition was staged in Vienna at the Künstlerhaus as early as 1892. Stuck’s many contacts with Vienna have been explored in only a few essays, mainly in relation to the one year younger Gustav Klimt. The Vienna Secession emulated the latter when it was established in 1897. Stuck also set new standards through his pictorial compositions and his compelling designs for the Munich Secession (founded 1892). But his renown did not arise from his subject matter alone. Franz von Stuck’s scandalously erotic paintings, first and foremost The Sin, were both popular and controversial during his day. ![]()
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